This book is a study of the intellectual and literary factors that in the mid-Qing dynasty contributed to the development of vernacular fiction of unprecedented scholarly and satirical sophistication. The author examines three works of vernacular fiction—Rulin waishi (ca. 1750), Yesou puyan (ca. 1780), and Jinghua yuan (1821/1828)—for their articulation of new perceptions of th...(展开全部)

In this study of desire in Late Imperial China, Martin W. Huang argues that the development of traditional Chinese fiction as a narrative genre was closely related to changes in conceptions of the fundamental nature of desire. He further suggests that the rise of vernacular fiction during the late Ming dynasty should be studied in the context of contemporary debates on desire, ...(展开全部)

Manling Luo is assistant professor of Chinese literature at Indiana University.

Scholar-officials of late medieval China were not only enthusiastic in amateur storytelling, but also showed unprecedented interest in recording stories on different aspects of literati life. These stories appeared in diverse forms, including narrative poems, "tales of the marvelous," "records of the strange," historical miscellanies, and transformation texts. Through storytell...(展开全部)

For many people, orthodoxy in late imperial China means Confucianism, or more precisely, Neo-Confucianism. Unlike most studies of Chinese values, which approach the subject as a philosophical and religious system, this book focuses on the interaction between Neo-Confucianism that stood for far more than more benevolent government, individual morality, and scholarly cultivation....(展开全部)

During the late imperial era (1500-1911), China, though divided by ethnic, linguistic, and regional differences at least as great as those prevailing in Europe, enjoyed a remarkable solidarity. What held Chinese society together for so many centuries? Some scholars have pointed to the institutional control over the written word as instrumental in promoting cultural homogenizati...(展开全部)